Hugo Stanton made his first appearance in your initial series. What inspired you to create a more prominent role for him in The King’s Justice?
The original inspiration came from my publisher, Thomas & Mercer, who are the crime/thriller/mystery imprint of Amazon Publishing. I am extremely fortunate in that as well as working with me on current projects, they also take a great deal of time to discuss future ideas with me. They said that they loved the 12th century world I wrote in for my Fifth Knight medieval thriller novels and wondered if I had ever thought of doing a spin-off series. I hadn’t, but it was a tremendously exciting idea. They told me to go away and have a think and gave me the luxury of time to do so.
That ‘think’ consisted of a great deal of research to see if I could find something that would work for me as a writer as well as the many (wonderful!) people who buy and read my books. And I found the golden nugget. I found that King Henry II reformed the English legal system. He introduced a travelling law court, where his justices would travel the country, hearing cases where the most serious felonies had been committed: robbery, theft—and murder. The dates worked perfectly. I then wrote up a list of every single character that had appeared in the Fifth Knight series. I had killed off quite a few but there was one stand-out candidate: Hugo Stanton, the young messenger who wasn’t at all a hero but who found the courage to step up when it really mattered.
The laid-back Stanton was teamed up with a new character, the prickly royal clerk, Aelred Barling. I had my pair of sleuths ready to go and investigate murder and mayhem, the first being the brutal murder of a village smith. Fortunately, my publisher really liked the product of my thinking and so The King's Justice was born.
The viewpoint alternates between Stanton and his superior, the clerk Aelred Barling, and their personalities are pretty different. How did you decide on this structure? Did you find either of them easier to work with as a character?
A historical crime novel is still a crime novel. That requires just as much attention as the historical side. Many crime and mystery novels are written in the first person, with one main investigator. While I’m very fond of Stanton, he isn’t an obvious hero. Neither would have he been important enough in medieval society to carry the full weight of the law. I needed a second sleuth who was. So I created the dry, fussy, procedurally-obsessed Aelred Barling. My personal preference is to write deep third person Point of View, and with these two I can switch back and forth. I mentioned being fond of Stanton, but I’m far fonder of Barling. I share many more traits with him—we both like our books, our quiet, our order, our peace and quiet. I suspect my nearest and dearest would say I’m just as irritable as him as well!
I admit I'm partial to Barling as well! How do you get into the mindset of people living and working in 12th-century England?
The simple answer that every writer of historical fiction would give: research, research, research. We historical writers have to create a credible, believable world and part of that is the mindset of the characters who inhabit it. To get it right, it’s a case of months and months of research. Much of it is reading reliable academic work on the time period and offering up thanks for every knowledgeable historian who has chosen to publish a book that relates to my era. There’s also the joy of trudging through muddy fields to look at yet another 12th century castle, with the long-suffering family in tow.
It’s great that there are many fellow obsessives out there as well. I’ve had lots of contact with re-enactors, those wonderful folk who spend their time recreating 12th century life. They recreate weapons, food, clothing, you name it and are always willing to talk about it. Even better, I can get my hands on it, too.
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| author E.M. Powell |
Like Aelred Barling, I find the process of the law utterly fascinating, be that 12th century law or 21st century law. As for Henry’s imposition of law and order, it truly was a novelist’s gift. The King's Justice opens with men accused of a murder who are proclaiming their innocence in a murder case. Forget prosecution and defence lawyers. One way of establishing guilt was to make the accused face the ordeal of water. The accused was tied up and thrown into a pit filled with water. Said water had already been blessed. If the accused sank, they were innocent. If guilty, they floated. It was believed that God had judged them. And if guilty, they were taken from the water and hanged. The King’s punishment for thieves was to have a foot and a hand chopped off. I don’t think many of us today would see this as an acceptable system, but it worked for Henry. Thanks to his travelling justices, he could ensure that that system could reach every corner of his realm.
The story takes many twists that I found hard to predict, which was great. Just when I thought the solution was leaning in one direction, suddenly things changed. When you’re writing, do you know in advance how you want the resolution to come about, or do you find the storyline developing as you go?
Those words are music to a mystery writer’s ears: twists, turns and unpredictability are our Holy Grail! I do know of writers who set off with a story and see where it takes them. That approach has me hyperventilating. I’m a plotter, through and through. I have recently discovered Scrivener, which is simply the best writing tool that I have ever come across. One of the marvellous things about it is that I can write what is essentially two novels in one, which is really what a mystery is. The first is the story of the murderer(s): the Secret Plot. The second is the novel as readers read it on the page. That’s Stanton and Barling’s story, where they’re trying to solve the crime. Fortunately for me, they do!
Thanks very much for answering my questions!
The King's Justice is published in June 2018 by Thomas & Mercer/Amazon Publishing in paperback and ebook (288pp).
About the Author:
E.M. Powell’s historical thriller Fifth Knight novels have been #1 Amazon and Bild bestsellers. The King’s Justice is the first novel in her new Stanton and Barling medieval murder mystery series. She is a contributing editor to International Thriller Writers’ The Big Thrill magazine, blogs for English Historical Fiction Authors and is the social media manager for the Historical Novel Society. Born and raised in the Republic of Ireland into the family of Michael Collins (the legendary revolutionary and founder of the Irish Free State), she now lives in North-West England with her husband, daughter and a Facebook-friendly dog. Find out more by visiting www.empowell.com. You can also find her on Facebook, Twitter, and Goodreads.
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