Present day: the body of an auburn-haired young woman wearing a vintage nightgown is released by Lake Superior, a baby clutched in her cold arms. Kate Granger reacts badly to the discovery, since she’s been having dreams from the woman’s viewpoint. After traveling to the tourist town of Wharton, where her cousin Simon has transformed their wealthy great-grandfather’s mansion into a B&B, Kate learns the mystery has followed her there.
As Kate recovers from a broken marriage, Simon’s caring attitude helps ground her; so does Nick Adams, a handsome African-American cop. An alternating thread follows Addie Cassatt, the young woman from the lake, from her unusual birth circumstances in 1889 to her loving marriage and tragic last days. Addie’s ancestors had close ties with the lake, which somehow protected them. A similar thread of destiny links Addie to Jess Stewart, a boy who saves her life.
I rarely read novels straight through in a day, but – pardon the watery descriptions – the fluid writing swept me into its wake, keeping me reading even when thought I knew where the story led. The plot moves from present to past and back, sometimes popping unexpectedly into minor characters’ viewpoints, but the transitions are smooth.
Highlights include the realistic dialogue, warmhearted characters (especially Simon), and depictions of early 20th-century Midwestern architecture, social happenings, and attitudes. How many old mysteries arise from the fact that our 19th-century forebears were reluctant to air their personal woes? That historical sentiment rings absolutely true. The story isn’t out-and-out terrifying like Webb’s earlier Gothics, but it’s still an engrossing supernatural tale.
Daughters of the Lake was published by Lake Union on November 1; it's currently the #1 bestseller in Amazon's Gothic Fiction category. I reviewed it for November's Historical Novels Review.
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