The idea that Mary Lincoln had a half-sister married to a Confederate general will likely be eye-opening to many readers. Do you recall where or when you first came across this information, and then decided to write a novel about their relationship?
While the bare fact of Mary's divided family generally rates a few pages in biographies of the Lincolns, and most novels about Mary include Emily's visit to the White House, I think it was Stephen Berry's House of Abraham: Lincoln and the Todds, a Family Divided by War, that spurred me to learn more about Emily. Although my first few novels are set in medieval and Tudor England, my previous novel, Hanging Mary, left me with a taste to do another novel set in the 1860s, especially since the primary sources were so much more accessible and since I had moved to Maryland, within an easy drive of so many Civil War sites. (No Norman French! No Latin! No more trips to England—oh, wait a minute.)
I've been fascinated by the Lincolns since I was a child, and it occurred to me that Mary's relationships with her siblings, especially the half-siblings who supported the Confederacy, was a topic that had been ignored in historical fiction. Since I like to write about actual historical figures, but like to take a fresh approach to their stories, the idea was a good fit.
Since Mary and Emily were born 18 years apart, did this create any initial writing challenges, in terms of plotting and structure?
It made for an awfully long first chapter! Originally, I had planned on a couple of more Mary chapters, including her time in Washington during Lincoln's term in Congress, before I introduced Emily, but after a couple of false starts and some stagnation I decided to fast forward through the early years of the Lincoln marriage and move on to Emily's story, which turned out to be the momentum I needed.
I appreciate how you do considerable research using primary sources. What were some of the more important or interesting discoveries you made using archival documents or photos?
Emily Todd Helm |
One discovery I made, however, was entirely by accident. A researcher in Madison, Indiana, where Emily lived after the war, wrote a pamphlet about Emily, and when my copy arrived I found that included with it was a photocopy of a typewritten transcription of a letter Emily wrote to Frank McCawley after his brother, George "Mac" McCawley, who had been one of Benjamin Hardin Helm's staff officers, was killed in battle. It's a very raw, emotional letter in which Emily dwells on her own loss in Mac's death rather than the McCawley family's, and I came away from it convinced that had Mac survived the war, Emily might well have married him after a respectable interval. At the very least, the letter—preserved by the McCawley descendants in a family Bible—was evidence of the strong friendship between Mac and Emily, and gave Emily a confidant at certain points in the novel.
As you mention in the notes at the end, Lincoln's life has been very well documented, but I particularly enjoyed seeing his home and family life depicted on the page in The First Lady and the Rebel. Were there any lesser-known qualities about Lincoln that you especially wanted to bring to life?
I did enjoy throwing some of my favorite stories about Lincoln into the novel—like the incident where he was so lost in thought he failed to notice that the child whose wagon he was pulling had fallen out of the wagon—but what I was striving for more than anything was to show the Lincoln marriage as a loving one, albeit one with its ups and downs (like most marriages). Even some historians, often relying on secondhand and even third-hand accounts, have fallen into the trap of painting the marriage as an unrelievedly miserable one, with Mary inflicting most of the misery.
Mary Todd Lincoln |
She's a complex, fascinating woman who fell in between those extremes, and I wanted to present a more balanced view of her. (That being said, she could throw a spectacular hissy fit when she chose to—I actually cut some of the scene at City Point, because the editor thought it went on too long. Imagine what it must have been like to live it!)
What appeals to you about writing historical fiction about people who once lived? Are there qualities you look for in deciding which historical characters to write about?
Well, for one thing, with historical figures, there's a ready-made plot—which comes in handy for someone like me who prefers drawing characters to creating plots. For another, I really enjoy the research that comes with writing about a historical figure. And it's a pleasure introducing readers to the little-known aspects of a prominent historical figure or to a famous person's lesser-known friends or relatives.
In choosing characters to write about, I gravitate toward women who have been misunderstood by history or overlooked by history. I'm drawn to strong women, but to quiet strength, not to the showy type displayed by the "kick-ass heroine." Resilience is a quality I particularly value, which might explain why so many of my female characters, who as a group have terrible luck in keeping their husbands alive, are called upon to exercise it to such a large degree.
Thanks so much, Susan!
About the Author
Susan Higginbotham is the author of seven historical novels, including Hanging Mary, The Stolen Crown, and The Queen of Last Hopes. The Traitor’s Wife, her first novel, was the winner of ForeWord Magazine’s 2005 Silver Award for historical fiction and was a Gold Medalist, Historical/Military Fiction, 2008 Independent Publisher Book wards. She writes her own historical fiction blog, History Refreshed. Higginbotham has worked as an editor and an attorney, and lives in Maryland with her family.
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The First Lady and the Rebel
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