In 1892, since their union is frowned upon in Maryland, Thomas Bayly and his African American bride, Beal, arrive in France to begin a new life together, leaving behind their disapproving families and his substantial inheritance.
Amid Paris’s upper-class art crowd, the sheltered, 19-year-old Beal attracts rival portraitists and the romantic advances of a Senegalese diplomat, while Thomas meets a comely Irish librarian while researching future prospects. He settles on winemaking and purchases an estate in the Languedoc, which obliges Beal to abandon her newly cosmopolitan lifestyle to follow him.
Alongside Beal and Thomas and their skillfully delineated journeys to maturity, many secondary characters also stand out, including a kindly nun and a difficult Jewish painter with unique insight into Beal’s state of mind. Belle Époque Paris and the southern French countryside are described exquisitely, as is the rich terroir that shapes the human heart.
Some notes:
Thomas and Beal in the Midi is published by Farrar, Straus & Giroux this week; I reviewed it for the 3/15/19 issue of Booklist. The other books in the Mason saga are Mason's Retreat (1996) and The Right-Hand Shore (2012), and I've only read the last two, but I believe they can be read in any order.
While this entry takes place in the 1890s, the first book is set much later, during the Great Depression, and The Right-Hand Shore takes place in both the 1920s, during the last years of Thomas's sister Mary, and the 1850s, during the youth of Mary, Thomas, Beal, and her brother. A focus on race and class, and a strong sense of place, permeates through each of the narratives, particularly the rural countryside of Maryland's eastern shore and France's Languedoc region, in addition to the art scene of 1890s Paris in this newest novel.
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