After their father abandons them in 1872, Eric (the original spelling), Louise, and Conrad live with their grandmother in Normandy, until Louise is later sent to stay with her great-uncle. The three never regain their childhood closeness. Now calling himself Erik, the composer pursues music in Paris, and struggles to rise above the cabaret scene, his erratic behavior giving him a “problematic level of fame.” Louise marries into a prominent family yet suffers significant losses.
Erik’s story looks beyond the “tortured genius” stereotype to something more nuanced and real, while both Louise and painter Suzanne Valadon, Erik’s one-time companion, personify different aspects of being a woman alone. The bleakness of the themes of loneliness, family separation, and thwarted expectations sits in counterpoise to several couples’ deep love and the creativity that produces innovative art.
The Vexations was published in August 2019 by Little, Brown; I'd reviewed it for Booklist's July issue. I confess I hadn't run across Erik Satie before picking up the novel and have since read that he's considerably more familiar a name in Europe than in the US. Louise, Erik's sister, is apparently so little-known that she isn't mentioned in Satie's Wikipedia entry; reading it, you'd think Conrad was his only sibling. I found her story the most poignant and was glad to discover it.
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